LGBT+ History Month 2023: Behind the Lens

A bright red bobbed wig with darker red undertones, on a bejewelled and glittery mannequin head on display at Wakefield Museum

LGBT+ History Month 2023: Behind the Lens

(Article originally published 21 February 2023)

Lydia, a Modern History MA student on placement with us from the University of York, explored the treasure trove of our oral histories collection. Her work supported the ongoing evolution of our past Moving Stories exhibition.

Here’s what she’s uncovered in our Rainbow Trails oral history archive, a compilation of Wakefield’s LGBTQ+ stories!

The ‘Wakefield Storytellers’ section of the Moving Stories exhibition is dedicated to showcasing stories from local people. Some of these were already in our oral history collections, and others are new ones we are collecting all the time.

Given this year’s LGBT+ History Month focus on ‘Behind the Lens’, I have been exploring stories from Wakefield’s local LGBT+ stars and allies, both on and off the stage.

Let me introduce local legends Sue Riley and Madam Connie!

Sue Riley

Sue grew up making her own clothes. She recalls that most people did when she was younger, and she always helped others with their clothes when asked.

After moving to Wakefield in the 1990s, Sue met local drag queen Madame Connie at the Fernandes Brewery pub. Soon after learning about Sue’s talents, Madame Connie gave Sue her first ever drag outfit commission.

This was a partnership to continue for many years, as Sue explains in the clip below:

Sue Riley - How I started making drag outfits

Sue made an array of dresses from all sorts of unsuspecting materials and took to the challenges given to her by Wakefield’s drag performers.

One of her favourite dresses that she made for Madame Connie was this black velvet dress with hologram sequins and golden wings.

Madam Connie showing off her black velvet and golden hologrammed sequin dress, holding up the golden cape. She is wearing a black bobbed wig and has gold eyeshadow, and looks fabulous!

Madam Connie slaying the house boots down in her Norma Desmond outfit! Photo copyright of Sue Riley, early 2000s

Sue: Madam Connie's velvet dress

In the audio clip below, Sue describes stepping up to the challenge of creating this iconic dress!

Sue: Madam Connie's cow dress

Another challenge was presented to Sue when she was asked to fashion a dress out of white and brown cow print material. She designed a rock and roll dress with lots of frilly petticoats at the request of the drag queen.

When she realised she had leftover fabric, Sue designed something extra for the performer...

Clearly, this line of work was destined for Sue. Her flourish for creativity matched the vibrant looks the drag queens wanted to create.

Sue’s work was incredibly important to Wakefield and the local LGBT+ community. Performing on stage allows people to create other personas and step out of their comfort zone; the creation of these dresses helped solidify these characters on stage and gave the performers the confidence they needed.

Drag came to the stage many years ago in theatre performances and has continued to develop in recent years and is now even present on television shows. Drag was never about impersonating a woman or a man; it was about an exaggerated performance to create a new identity.

While drag was less accepted in the past, some still broke through the barrier and began to make changes. One of these iconic performers was Sue Riley’s favourite drag queen, whom she had seen perform live, Danny La Rue.

Drag impacts our lives more than you can imagine; even some of today’s slang comes from the drag industry.